The first murmurings of the Nor’easter came on a shadowy Wednesday morning, when, upon waking, I heard for the first time in many Ghent mornings, no birds; however, as it was 5 a.m., my first thought was less, “How very peculiar to hear none of the swallows whistling their tunes in the willowy treetops this November morn!” and more along the lines of, “Motherfucker, it is so fucking early. FUCK.” So I head to the bathroom for my morning extrication of urine and to poke my eyes with a mascara wand so that I could at least feign a state of consciousness for my part-time work at the bageldashery, then drive to Yorgo’s contemplating why I have chosen a job to supplement to my income that includes being awake at a time where I used to go to sleep.
Then a hot policeman comes in that morning and I remember exactly why I chose it.
“Supposed to be a storm coming,” Officer Blue Eyes tells me.
“Oh?” I say, handing him his coffee and squeezing my breasts together simultaneously.
“Nor’easter, they’re saying,” he says. He brushes my hand as he takes the paper cup from me. “So you be careful out there. Aren’t you by Stockley Gardens?”
“I am,” I say.
“Well, watch the flooding,” he says. “They say it’s going to be worse than Isabel.”
During Hurricane Isabel, I was trapped with my parents and my brother without electricity for three straight days, and the only thing we had to do entertain ourselves with at night was play instruments around a crude fire we had fashioned out of five Christmas-themed Yankee candles; since the piano was too big to drag into the room, I had a harmonica, my brother had a mouth harp, and my mother was blowing into a jug; so there we were, your typical suburban middle-class family playing Ozark instruments with the living room smelling like a sickening, diabetes-rearing mix of Gingerbread Dream, Christmas Cookie, Home for the Holidays, Christmas Tree, and Festival of Lights (my mother, a lifelong liberal, bought the Jewish candle in an attempt to be multi-cultural). Deep into the night our neighbors likely heard the brassy hum of harmonica, though at least the harmonica had a little soul to it, as well as volume modulations; my brother’s jaw harp had one decibel level, a discordant BOING! BOING! BOING! BOING! My mother’s jug-playing was worse. Unable to muster the abdominal breaths it takes to make a drinking jug hum, my mother just vocalized, “HOOT! HOOT! HOOT! HOOT!” over my brother’s BOING! BOING! BOING! and my own amateurish harmonica stylings. We sounded like a camp of tone-deaf cowboys.
My father was so depressed by the whole scene that he retired to the bedroom at 8 p.m. “One hurricane and we’re the goddamn Yokums,” he said, shutting the bedroom door behind him.
“It couldn’t be worse than Isabel,” I tell Officer Blue Eyes, who has been waiting patiently for his Everything bagel during my ‘Nam-like flashback.
“Just be careful,” says Officer Blue Eyes.
When I go into the newsroom that afternoon, reporters are bracing themselves for the big weather story. The editors rush back and forth in front of the Obituary Desk, which is on the main drag of the newsroom, which means that not only do I get the gossip from people who think no one is listening as they’re walking by on the phone (“The doctor said to apply it directly to my scrotum every day for six to eight weeks.”) but I also get hit with the journalistic mood as soon it strikes.
“Traffic reports, school closures, road conditions,” one of the editors says. “Make sure we have people on it.”
When I get back to my apartment that night, I flip on the news. “Brace yourselves!” the weatherman says. I listen to him babble on about cold fronts and April to November and something about flooding, but I forgot my dinner at work that night and I’m making cous cous and barbeque chicken, and as I have one chicken breast left, it is something in which I must devote my full brain power to, lest I burn it and have to Multi-Grain Cheerios for the third consecutive dinner that week. The weatherman carries on, business as usual, unconcerned that I’m not paying more attention.
In bed, I can hear the beating of soft water against the window pane, and I think of Kathy’s Song and the voice of the weatherman, and they are all combining into a drowsy ode, I hear the drizzle of the rain, a macro-scale storm along the East Coast, like a memory it falls, it’s a low pressure area, soft and warm, continuing, thriving on converging air masses, tapping on my roof and walls and I am fast asleep.
I wake up and it is pouring. The walkway to my apartment that once resembled a Venetian pathway now resembles a canal and leaves litter the ground like a sopping Oriental rug. I switch on the news again and an anchorman is standing knee-deep in water in a residential area, presumably dead cars parked along the curb s behind them. “This may look like a river, but’s not!” says the anchorman. “It’s a motherfucking STREET!” He doesn’t say the “motherfucking” part, but by the astonishment in his voice you can tell it’s implied.
I decide to move my car to higher ground so it does not flood, because even if I had the money to add on another car payment, I do not have the energy to deal with Jeremy, the hair-greased laden guy who sold me my Nissan, ever again. “This car has subwoofers,” he had told me on the car lot, brushing my arm with the sleeve of his poly-fiber aqua shirt.
“What the hell is that?” I had asked.
“They’re in the trunk,” he said, wiggling his eyebrows at me. “I won’t even charge you extra for them.”
I open my closet and get my pink paisley goulashes out, something I bought three or four years ago because I was convinced I couldn’t live without their bright whimsy, and now I am grateful for my tendency to impulse buy rainwear. I strap them on along with a pair of water-resistant pants and a few layers under a sweatshirt. My feet have become accustomed to high heels so when I begin to walk in my rainboots my brain doesn’t quite know what to tell my legs what to do. “Alright,” my brain channels. “Let’s try to walk! Left leg, move out at a forty-degree angle to the side, then come awkwardly back in! Nice. Right leg, you try. Good job, guys. Now do that for two miles.”
I start my car and drive it to the EVMS parking garage, then begin the trek to The Virginian-Pilot that would have made Jacques Cousteu shit his scuba suit.
The first half-mile wasn’t so bad; it was rather euphoric, actually, because the weather was fascinating. Trees shook like tuning forks, the wind gathered leaves and dust and crashed them into the once ivory sidewalk, and when I caught sight of the Hague in the distance, it was swollen and blackened, its belly boiled with raindrops. Then I reached the end of Olney Road, and while I had been contemplating getting a coffee from the 7-11 on the corner, I realized this task would be near impossible as the entire avenue had transformed into the river Styx.
Orange barrels clung to the ground, water jetties swirling around them, and cars sat lifeless on the road, reduced to stationary scraps, irregular boulders of metal and plastic. The traffic light I usually sat at on my way to work blinked yellow over and over, an urban lighthouse urging people to stay off the street, not that anyone would be foolish enough to be on the street in weather like this.
I cut through Fairfax Avenue and down towards the Chrysler Museum. A BWM in the distance reaches a pool of water that has formulated around the area, and thinking better of it, turns around. It reminds me of a BMW-driver I used to date. “The insurance is impossible,” he told me once. “Every time I pay my bill I feel like I’m being bent over and fucked in the ass.” As I watch the cherry-red taillights of the BMW make their way down the street, I wonder if he has the same sentiments.
I walk past the Chrysler and my once pink boots are covered with mud and bits of mulch pieces from the saturated grounds. A man in knee-high waders is making his way through a lake of rainwater in front of me. I realize that he is wading through the only pathway to The Pilot. For such a sobering moment it seems anomalous that I should want a shot of scotch before I swim through it.
There’s nothing left to do but cross it, so I take a step into the makeshift pond on Boush Street; it soaks my pantleg up to my mid-calf and my pants stick to my leg like hot leather. “Water-resistant my ass,” I say aloud. My stride becomes slower in the drag of the water, which is now up to my thighs, and by the time I’m in the middle of the street the bottom of my sweatshirt is saturated with wetness. I feel like news footage.
“Keep calm and carry on!” I hear my mother say, though if my mother had really been there, I’m sure she would have probably opted to say, “Laura, get your drenched ass out of the water and go home for God’s sake!”
But this is when my journalistic commitment kicks in, something that becomes acquired if you work at a paper long enough, and I find myself saying, “I have to get to the newsroom!” As I wade through two blocks of waist-high water, I imagine people yelling for me to turn around, turn back before it’s too late! But I just call back to them, “The paper has to get out!” And they beg me to stop putting myself through the flood, go home, let someone else fight this battle, but I’m so committed to reporting area deaths that I just call back, “I have no choice! We have to get out the paper! The public has the right to know the news!” Minor delusions of grandeur are quite constructive for helping one ignore the fact that their vagina is being submerged with stagnant municipal floodwater.
When I reach the unflooded sidewalk adjacent to Lake Boush, my pants resemble leggings and when I touch my face, my fingers are laced with runoff mascara. I pass a glass door from one of the buildings and my hair is curled into a black tuft on top of my head, giving me an Edward Scissorhands kind of look. I pass two guys from WTKR, who smile at me politely, and if it had been other day, I would have been properly mortified to have anyone see me in such shambles, but all I want to do is get to where there is heat and no water.
I walk into The Pilot, and there are only a few souls that have been able to make it to work, one of whom is my editor. “Jesus!” she says when she sees me. “What happened to your face?”
“Huh?” I say, and look into a compact mirror I keep at my desk. Streams of black mascara residue have leaked down my once unsoiled countenance.
“You might want to fix that,” she says gently. “And I brought some extra pants in case I was stranded here. Why don’t you wear them?”
I spend the rest of the day wearing my boss’s pants. I also take my goulashes off and walk around in my socks for the rest of the evening. It is a very classy, professional look. Luckily everyone else looks about like me, with the exception of the business reporter, who always looks like he waltzed out of a Ralph Lauren ad, though I can’t imagine how he got here so goddamned dry. He walks by in a tweed blazer and pressed khakis and I narrow my eyes at him, envious of the flying hovercraft I suspect he owns.
That night, my editor drives me home in her husband’s truck. The dead cars are becoming even more prevalent, tombstone markers in the flooded streets of what was once a sunny Ghent.
When I return home, my block is dark. My roommate Bridget is sitting with a candle lit in the middle of the living room. “Please tell me you’re having a séance,” I plead.
“Power’s out,” she sighs. “I’ve been trying to do schoolwork in the dark for an hour.” Bridget is a nuclear med technician, which means she is the type who studies even in the dark, rather than, say, play an imaginary jug.
She gives me a candle and I make my way to my room. It’s 9 p.m. and there’s nothing to do but brush my teeth in the dark and go to sleep.
I listen to the rain as drift off. It’s solid but appears to be tapering off. Maybe we’ll get power tomorrow, I think. Maybe the rains will hold off. Maybe the worst is over. Then I think, That rain is so loud. Which leads me to think, It sounds like it’s in my room it’s so loud. I pause and listen. It’s coming from my window. I walk towards the noise cataleptic and as intently as Lady Macbeth, the window my blood-dripping dagger, and realize that my window is, like her dagger, literally dripping. Pouring, actually. Pouring onto my great-grandmother’s hope chest and the piles of books I have lined atop it, which I immediately snatch into my arms. Sedaris, O’Connor, Ames – even Ford Maddox Ford since I was feeling extra benevolent – all flung from what could have been a watery grave onto the dry floor across the room, where they land with a sad thud. Nothing could break a reader’s heart more than hearing part of their beloved book collection land heartlessly on the ground, but it was a situation that called for action rather than sentimentality.
“FUCK!” I yell, and run to the linen closet, where I grab a pile of towels. Bridget stirs from her reading and joins me in my room, and we discover the source of the waterfall has come from part of the window molding, which has cracked in half.
We move my great-grandmother’s hope chest and Bridget, the calmer of the two of us, formulates a plan. “Let’s try to tape up the leak,” she says, and disappears into the hallway. Bridget brings back a roll of painting tape from the closet. “We didn’t have any duct tape,” she says, “but we could try this.” Bridget, in an amazing acrobatic feat, shimmies up my window and tries to tape the crack; the water is coming out with an amazing strength, however, and soaks through the packing tape before it even has a chance to adhere.
We lay bathroom trashcans beneath the runoff, and the water spills into the plastic pails with a dreadful, irregular drumming. I’m…fucking…up…your…evening, it says with each drop.
The rains subside slightly and the dripping stops; we are left with three trashcans balanced against my windowsill and sopping towels lining the floor. Later, when my landlord comes to assess the damage, he claims he could not deduce which window I had reported damaged. “It was the one framed with mildewed trashcans,” I tell him.
“Oh,” he tells me. “I was wondering what that smell was.”
Ricky offers me a place at her house for the next few days, where I could at least shower and fall asleep to something other than the sound of Chinese water torture. Ricky also owns a cairn terrier named Mo (short for Meauxtier Beautier) who, to wake me up each morning, would jump on my vagina and proceed to roll down my torso until I gave her a minimum 14-minute belly rub, which, if I wanted to keep my labia intact, I did. Ricky’s brother Gordon made me blueberry pancakes in the morning, however, so I kept my complaints to myself, even if I did eat my breakfast with a bruised vulva.
When I wasn’t at Ricky’s, I would drive by my apartment every so often, slowly, like a crazed ex-lover, to see if the electricity was back on. Yet it came to be Sunday afternoon, and the lights were still off. Sparing Ricky and Gordon another glimpse of me in a bathrobe, I decide to shower at the gym. Usually I’m a touch wary about showering in public – I like the familiarity of my apartment bathroom, where I at least know who has been using my shower, and I can be fairly certain that if someone has chosen to urinate in my bathtub, I at least know the person in which whose pee I am stepping. Plus I hate lugging all my stuff into the gym shower. It makes me feel like a pack mule.
But desperate times call for desperate measures, and so I find myself in the gym shower with my leg against the wall in a Cirque du Soleil maneuver trying to shave. While I’m trying to reach my ankles my mind wanders back to an episode of “20/20” on hidden cameras in locker rooms that are broadcasting footage of naked women to audiences in Hungary, but I’m so desperate to feel like a woman again that I don’t care if everyone in Eastern Europe can see my birth canal.
When the electricity comes on, part of me wishes it could have stayed off until our lease was up in May, because when I walk into my room my window appears to have vomited soggy towels. I pick them up and stuff them into the washing machine, which probably thinks it has earned its place in the second circle of hell with the rest of the gluttons. Or maybe not. I’m not sure how my washing machine feels about Dante.
Once the towels and trashcans are cleared, putting my room back together feels curative. The pieces start to come together to form what is familiar and natural as my surroundings – I lovingly rearrange my books, placing them in order by which I read them, and balance them next to the gold-hammered lamp my mother bought me after a rough break up. “You have to make your own light sometimes,” she told me in the aisle of Target, and set it down in the bottom of the cart, where it made a triumphant clang: Damn right. The embossed tray I bought at Stockley Gardens Art Festival of the antique birds’ eggs print leans against the window sill – holding our peacoats together in the blustery October wind, Ricky and I rummaged through the vendors’ stands and drank coffee and listened to a woman who had smoked cigarettes for forty years sing about Sloopy hanging on, and what a good day that was. The vase I painted in college – Fleurs – that my roommate accidentally dropped that made the rim look like it was smiling; the picture of my brother feeding pigeons in Piazza San Marco; my father’s Italian Valentine from last year that I framed in white porcelain; the first picture taken of my mother after she could walk again, the one where we are both sitting under the shady trees of the front lawn drinking iced tea, smiling tentatively but unreservedly, “The Survival Picture” she called it; all of these things keepsakes to the larger bits. They are not permanent – they are pulp and laquer and wood and ink – and easily destroyed. They are the material markers of the fragments that create a life, sign posts that let me to remember on mornings where I am buttoning my coat before the sun rises to suddenly remember that there are people and moments that combine with me like barbed wire, portions of what I’ve become and what I hope to be that could never really go away, come hell, or even high water.